Description
In the 1960s Smither worked with his father (also a screenprinter) to perfect a view of the mountain reduced to its fundamental elements of contour, light and shade. Forty years later Michael returned to make a similar print, this time on acid free paper with, he says, “improvements to colour and composition” after a lifetime of printmaking experience. This is new in stock – not strictly speaking a brand new print – as it was printed in 2009.
